Marielle Kraft

Learning Materials

Wordplay is brought to you by the Office of English Language Programs, American Music Abroad, and American Voices.

American EnglishAmerican Music Abroad
Damn Tall Buildings band picture

Artist: Marielle Kraft

(Click to view Snapshots)

We have created lesson plans and a video series to use in the classroom. Scroll down to see all lesson materials or download the full package here.

Program Materials

Click the tabs below to access all the materials for Wordplay.

Below is an incredible collection from American English to provide fun new ways of teaching and learning English. Use these files in conjunction with the song in this language package for an integrated teaching experience. More available at https://americanenglish.state.gov/

Good Days

Written by Marielle Kraft, Nell Maynard, Autumn Buysse
Key: D

We didn’t fight today
You didn’t mention my ex’s name
Showed up only fifteen late
That makes a good day
You got the coffee tab
And you didn’t ask me to pay you back
We kissed and it felt okay
That makes a good day
Most of the time it’s not worth it
But once in a while it’s working
I stay for the good days
The hope that it could change
For the little crumbs of what this was in the first place
I’m taking the good days
To get through the heartache
My logic says we don’t make sense but my heart stays
When I’m in your arms
I forget the bad parts
That’s why I hate the good days
I hate that you always know
When I’m about to run out of rope
That’s when you bring flowers home
Red rose, don’t go
I hate that I’m always packed
And then I unzip them and put ’em back
I wish that the bad could last
How sad is that
Most of the time it’s not worth it
But once in a while it’s working
I stay for the good days
The hope that it could change
For the little crumbs of what this was in the first place
I’m taking the good days
To get through the heartache
My logic says we don’t make sense but my heart stays
‘Cause when I’m in your arms
I forget the bad parts
That’s why I hate the good days
(mhmm)
Most of the time it’s not worth it
But once in a while it’s working, it’s working (yeah)
Most of the time I can’t take it
But once in a while it’s amazing
I stay for the good days
The hope that it could change
For the little crumbs of what we were in the first place
I’m taking the good days
To get through the heartache
My logic says we don’t make sense but my heart stays
‘Cause when I’m in your arms
I forget the bad parts
‘Til the good fades like always
That’s why I hate the good days

A2 Level Words

ex
noun, “ex-partner”
someone you were previously in a relationship with fight – verb, to have an argument

mention
verb
to talk about something

tab
noun
money owed at a restaurant or cafe

B1 Level Words

crumbs
noun
small pieces of food that break off while eating

fade
verb
gradually become less clear over time

showed up
phrasal verb
to arrive at a place

B2 Level Words

heartache
noun
emotional pain caused by romantic problems

packed
adjective
to have put things in a suitcase for travel

pay someone back
phrasal verb
return money that was borrowed

run out of
phrasal verb
to use all of something and there is none left

unzip
verb
open using a zipper (like a suitcase)

C1/C2 Level Words

logic
noun
thinking based on sound principles

get through
phrasal verb
successfully overcome a difficult situation

like always
adverb
something happens in the same way again and again

once in a while
adverb
sometimes

sentiment
noun
feelings or emotions

Other Words

can’t take it
verb
feeling that something is too difficult to continue to do

don’t/doesn’t make sense
verb
something doesn’t seem right or understandable

fifteen late
adjective
fifteen minutes late

in the first place
preposition
refers to the beginning of something

not worth it
adjective
something is not valuable enough to be a good idea

For each heading in the materials, we have identified an icon to help instructors quickly find and identify information. Please use them when creating any new materials or adapting previous materials. The icon should be left justified and appear below the section heading. Any text should appear to the right of the icon.

 

ICON

MEANING

Activity Summary

Activity Summary

Additional Resources

Additional Resources

Associated Audio

Associated Audio

Associated Video

Associated Video

Less Challenging

Less Challenging (for beginners)

Lesson Plan

Lesson Plan

Listening

Listening

More Challenging

More Challenging (for advanced learners)

Online Tip

Online Tip

Reading

Reading

Speaking

Speaking

Writing

Writing

Snapshots

Damn Tall Buildings band picture

Click Image to View Snapshots!

Short question videos to use in the classroom to start new conversations in a modern “Stories” format. Break the ice in new groups or shake up the routine. Teachers can also pair these videos with games below.

ACTIVITIES

These short games can be used with the Snapshot videos for a quick activity in the classroom.

About The Artist

Marielle Kraft

Marielle Kraft

Genre: pop, Indie

Location: Nashville, Tennessee, United States

Group Size: 1

Biography

When you hear Marielle Kraft’s music or experience her candid live shows, you feel as though you already know her. The indie pop singer/songwriter, now based in Nashville, displays craftsmanship beyond her years, following suit to artists like Colbie Caillat, Maisie Peters, and Taylor Swift.

Self-taught, the Rhode Island native began playing guitar at 16 and soon writing songs that strike chords with listeners everywhere. Her gift for storytelling is evident through her use of salient detail, raw emotion, and poignant word choice to describe moments “exactly as they feel.”

Over the past few years, Marielle Kraft has self-released two original EPs, including eight singles, and four official music videos.

Kraft’s 2017 debut single, “How Far You Feel,” has collected over 1 million streams across platforms. The indie pop breakout track seeks to understand the dichotomy of physical vs. emotional distance in relationships, brilliantly expressing “what many feel but cannot find the right words to say.”

Marielle Kraft’s debut studio EP, “The Deep End” officially released on July 12th, 2019, featuring fan-favorite tracks like “Toothbrush” and “Better Without You”. Kraft’s first effort is notably strong both lyrically and sonically, described by The Music Mermaid as “song after song of mini pop addictions.”

In February 2020, Marielle Kraft co-released an “anthemic” and “heart-filled” single with Joshua Howard entitled “In It Together”, which has quickly gained support across platforms.

Marielle Kraft regularly plays at venues across the United States, sharing stages with names as big as Mt. Joy, Ava Max, and Betty Who. She presents her live shows as a seamless narrative: evocative yet encouraging, deeply reflective yet refreshing. The raw authenticity with which Marielle invites listeners into her story cultivates a relationship with them beyond the song, as she is known to “bring together a room full of strangers.” Her “winning personality,” “genuine connection”,” and “gift for story telling” on stage have fueled the ever-growing crowds at each of her shows, with no signs of slowing down.

In spring 2018, she was crowned Grand Champion of the Mid-Atlantic Singer-Songwriter Competition, and the following June she delivered a Tedx Talk at Firefly 2018, discussing the importance of honesty rooted in her songwriting process.

In 2021, Marielle Kraft released 4 singles, each of which found major traction on TikTok before becoming fully studio produced releases. “Everyone But Me” (February 19th), “We Were Never Friends” (March 24th), and “Second Coffee” (July 19th) feature a more developed sound than seen from Marielle before, while her latest collaboration with Charlie Brennan called “Sidelines” (October 29th) reached Spotify’s “Fresh Finds” and Apple Music’s “Breaking Singer/Songwriter” playlists.

Kraft’s sophomore EP “Heartspace” landed on September 30th, with lead singles “Shrink” (April 8th) and “I Kissed A Boy” (May 19th) and a nearly sold-out headlining fall tour accompanies this highly anticipated release, with much more to come from this budding singer-songwriter.

Kraft launched into 2023 with two powerhouse pop singles “Owe My Ex” and “10x Better,” coupled with a nearly sold-out spring headlining tour across the United States.

October 27th, 2023 brought the latest offering from Kraft—an evolved EP of 4 songs, tied together as the concept project called “GOOD.” Co-produced with Nashville’s Quinn Redmond [Stephen Day, Emma Klein], GOOD marks an exciting new chapter for Kraft as she stretches her reach to opposite coasts and wider corners of the internet.

Since leaving her full-time teaching career to pursue a life committed to creating music, Marielle Kraft has promise to follow suit to artists like Julia Michaels and Maisie Peters as the burgeoning artist makes an impact in the indie pop scene, setting her on pace for an even bigger 2024.

+ + +

“Listening to Marielle Kraft’s music feels like FaceTiming your best friend. She’s comforting, honest and sometimes hilarious as she sings her way through moments that feel almost universal, especially to millennial and Gen Z women — first loves, hangovers, fights through the phone. The Nashville-based singer-songwriter has a knack for making her confessionals feel shared and her small moments feel huge” – Washington Post

“Kraft’s live show made the room feel like a big family reunion, with high energy and a supportive atmosphere. Her descriptive songs take the audience right into the heart of each moment.” – The Streaming Department

“Marielle has this admirable ability to translate the world’s unique, and shared, experiences into sweet, profound little tracks that are somehow always exactly what we need at the time.” – The Music Mermaid

“If you like indie-pop with singer/songwriter flair then it’s a must-hear. The songs from the EP sounded even better performed with a whole band in the live setting…they sounded fuller and had an extra dose of vibrancy.” – Love Is Pop

“‘Better Without You’ stands out on the EP and is the perfect breakup / female empowerment song.” – Rock On Philly

“Marielle Kraft finds vulnerability as the avenue to joy, light, and truth, as is rooted in each of her indie-pop songs. Marielle knows who she is, and that comes across so strongly in her music.” – The Narrative Now Podcast

“With each passing second, we allow ourselves to fall more deeply into this incredible soundscape.” – Imperfect Fifth

“Marielle showed a clever intensity in her material that, when coupled with her wonderful voice, pulled the listener into her story.” – Joe Trainor, Gable Music Ventures

“Marielle’s songs tap into young women and millennials’ romantic angst and euphoria in a way that feels flavored by Alanis Morissette and Taylor Swift.” – Cheryl Squandrito, Philadelphia Inquirer

Classroom Survey

Tell us what you think! Participants of Wordplay programs worldwide are asked to complete this survey to help us deliver better programs every time.

Click here to complete: https://forms.gle/8Go6kfbH3g7WX8Mu9

About the Office of English Language Programs

More great information for teachers to use in the English classroom can be found at: https://americanenglish.state.gov/

Promoting the learning and teaching of American English around the world is an integral part of the Department of State’s efforts to foster mutual understanding between the people of the United States and the people of other countries. Increasing the English language capacity of audiences overseas deepens and enriches their engagement with American counterparts and builds lasting bridges between cultures. English language learning is also key to increasing access to the many exchange programs administered by the Bureau of Educational and Cultural Affairs and other academic and professional exchange opportunities in the United States, particularly for potential grantees from underrepresented groups, including women and minorities. In addition, English language programs advance the Department of State’s economic statecraft and foreign assistance goals by expanding access to the local and global job markets, particularly among youth.

The Office of English Language Programs designs and manages programs to promote language learning and support the teaching of English in countries around the world. These programs are administered through local American Embassies and Consulates and are overseen by Regional English Language Officers. The Office of English Language Programs also provides academic expertise and develops English teaching and learning resources for use worldwide. The American English website provides links to multimedia resources and information on exchange opportunities for teachers and students of English as a foreign language.

Wordplay is brought to you by the Office of English Language Programs, American Music Abroad, and American Voices.

More information available at:
https://americanenglish.state.gov/

USA and State Department
Wordplay ECA/A/L
American Music Abroad
American Voices